Rachel Reviews: Drake’s ‘VIEWS’

Drake-Views-Album-Cover

 

I know, it seems strange to review Drake’s “VIEWS” first, which came out after Beyoncé dropped “Lemonade,” but I was sent zip files of both albums by people (who shall remain unnamed) on the same day, and “VIEWS” just happened to load first. That’s pretty much the extent of my reasoning. I’ll try and put out a review for “Lemonade” (as if you haven’t heard enough about it yet) soon, but for now, read on to see what I think of Drake’s new album. Thanks for visiting!


 

There are 20 songs on “VIEWS,” so I won’t do what I did with Kendrick’s “untitled unmastered” and review each track individually — instead, I’ll mention a few overarching themes, as well as my picks for the best and worst songs from Drake’s fourth studio album.

 

MAIN TAKEAWAYS

 

1. “Two roads diverged in a yellow wood, and Drake — Drake took the one more traveled by”

I guess this is my pretentious way of saying that I think Drake is rehashing the same topics and personas he’s tackled before on his previous albums. There’s the paranoid, untrusting Drake from “Energy” that pops up again in “Keep the Family Close” and “U With Me?”. We also have the braggadocious, “I’m better than everyone,” 6-God figure we’ve heard in “Started from the Bottom,” and now hear in “Hype,” Grammys” and “Pop Style.” And of course, the unlucky-in-love and pining Drake reappears in “Redemption,” “Faithful,” “Too Good,” “Fire & Desire” and most famously, his 2015 hit “Hotline Bling.” There really aren’t any new topics he’s bringing up here, which is a little disappointing and which keeps “VIEWS” from reaching Classic Album status to me. But granted, some of these songs are catchy as hell, so I’ll let him slide a bit.

 

drakecrying

2. The production is on-point, almost too on-point …  

Longtime Drake collaborator and friend Noah “40” Shebib produced the majority of the album’s songs, so you know it’s going to be good. However, there were times when it felt like the production was so great it overshadowed what Drake was trying to get across. A prime example is on “9,” the second song on the album. It starts off cool and dream-trance-y, but Drake fails to say anything important or memorable for me, except convey a general sense of “I’m coming for you, bitch,” which isn’t anything fresh from him, although the phrase “turn the six upside down, it’s a nine now” makes me laugh.

“Feel No Ways,” the fourth track, has some really cool retro sounds going on, thanks to production by Jordan Ullman, one half of OVO-signed duo Majid Jordan. The group’s known for its smooth and ultra nostalgia beats (Frank Ocean reference, anyone?) so I totally dug the vibe, but again, I didn’t really care about Drake’s lyrics. He’s done at least five other songs (probably more) about how he can’t move on from a relationship, so what else is there to say?

Moreover, while the production of each song was generally solid, there were times when the sound felt discordant. I get it’s supposed to reflect the changes in Toronto’s seasons, but each season/section of the album didn’t really seem to connect to the other. It jumps from orchestral and big-band reminiscent on “Keep the Family Close,” to retro on “Feel No Ways,” classic R&B with “Weston Road Flows,” then dancehall and afrobeat on “One Dance.” They’re all cool sounds on their own, but together it feels a little messy.

3. What’s Hot

There are some great tracks on the album, the first being “Hype,” which as I mentioned, is standard Drake bragging (“They wan’ be on TV right next to me / You cannot be right here next to me”), but it’s seriously intense and probably one of the hardest-hitting songs on the entire album.

Next is “Redemption,” which is Drake crooning at its finest. I loved the lines “Aw, please give me time / Cause I’m searchin’ for these words to say to you,” which was accompanied with a kind of sincerity that makes me slightly less annoyed that he keeps doing these same kind of lovelorn songs.

Another of my favorites was “Faithful,” the ninth track on “VIEWS,” and dvsn’s verse completely stole the show for me. The album has contributions from the likes of Future and Rihanna, but without a doubt my favorite feature was from the lesser-known act dvsn (or is it Dvsn?), the other Canadian R&B group signed to OVO besides Majid Jordan.¹ It was actually breathtaking to hear Daniel Daley’s² lush vocals, accompanied by the chorus — and when he hits those high notes … 

damndaniel

Sorry, I had to.

Other highlights include “One Dance” and the song everyone and their mother know, “Hotline Bling.” They were released before “VIEWS” came out, so I don’t have too much to add that hasn’t been said already. The latter is insanely catchy, but also condescending when you really examine the lyrics (why is Drake trying to stop this girl from being independent and having a good time??), so take it with a grain of salt.

4. What’s Cold

There wasn’t any song I hated on the album, but tracks like “Weston Road Flows” fell a little flat for me, especially with the way Mary J. Blige’s song, “Mary’s Joint” was used. Was it just me or did it sound like someone was playing that track twice at the same time? It just seemed messy and disjointed to me, although there were some great throwback references in the song, from TLC to T-Minus to Hpnotiq.

I also found both “Child’s Play” and “Pop Style” to be quite dumb, although the latter is slightly catchier. The former is pretty patronizing and basically says to the girl in question that if she doesn’t act the way Drake wants her, he’ll “give [her] back to the hood.” Also, lines like “she rode that dick like a soldier” won’t be putting him into the lyrical Hall of Fame any time soon.

Furthermore, while “Pop Style” is fun, I feel like the line, “Got so many chains they call me Chaining Tatum,” compels me to hate it on principle. I expect that from someone like 2 Chainz (it certainly would make more sense given his moniker), not Drake. That’s probably one of the dumbest things I’ve heard thus far in the year, and that’s taking into account the fact that I found out they’re making Angry Birds into a goddamn movie.

FINAL THOUGHTS

 

Like I said, “VIEWS” is far from a classic album, but it still has some really great tracks. There are slow jams for those inclined to sit and reflect while sullenly nursing a glass of red wine, but for people who want to get up and move, the album provides tracks for livelier scenarios as well.

Overall, I see “VIEWS” as more of a bridge to cross before getting to the really good stuff, and it makes me look forward to what Drake has to offer in the future. Apparently he’ll be coming out with more stuff in the summer, so stay tuned for that.


 

Scale: 1 (frozen) – 10 (boiling)

Rating: 8, or the attractiveness of white Chrises.

There are so many Chrises, I kind of forget who’s who. There’s Evans, Pine, Hemsworth, Pratt — the list goes on. They’re all attractive and probably really nice, but no Chris really sticks out to me since they all have that superhero-playing-suburban-dad-who-barbecues thing going on. Drake’s album is comparable: it’s catchy and agreeable, but not really that different from “Take Care” or “Nothing Was the Same.”

See you soon for Beyonce’s “Lemonade”!


Footnotes, because I’m fancy

1. What is it with Canada these days? They’re killing it on the R&B front: There’s The Weeknd, PARTYNEXTDOOR, Majid Jordan, Tory Lanez, dvsn, etc.
2. Disclaimer: I’m not 100 percent sure if it actually is Daniel Daley on the vocals. Besides producer Nineteen85, it’s still unclear who’s exactly in the group, although there are rumors Daley is also part of dvsn. So for now, I’m assuming it’s Daley singing in “Faithful,” otherwise my meme-ing doesn’t work at all here.
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